Join us for an exhibition talk where Jolyon will discuss the pastoral etching revival with the Goldsmiths etching class of 1921, on:
Thursday 12 April 2012
At Margate Gallery 2 Lombard Street, Margate CT9 1EJ
Paul Drury and the revival of pastoral etching.
In this illustrated presentation I am going to talk about Paul Drury the print maker and the man, about the influence of his father the sculptor Alfred Drury RA, about his lifelong Goldsmiths friends including Graham Sutherland, their pastoral etching development stimulated by Samuel Palmer and how Paul’s and the group’s work evolved towards abstraction whilst still maintaining the pastoral tradition.
There are a number of underlying themes running through this talk and my book Revelation to Revolution which will be available at the Gallery– the revival of pastoral printmaking following Samuel Palmer – the perfection of the hand-drawn, hand-printed etching – the pivotal role that Paul Drury had within the group that I will refer to as the (Goldsmiths’) Class of (19)21 – the developing conflict between representational and abstract art – and last but certainly not least the very close personal relationships that enabled that school of art at Goldsmiths College to be a unique learning experience under the benign governance of Clive Gardiner that cemented the individual skills in the group and which paved the way for pioneering design and technique for which Goldsmiths is still recognised to this day.